Darwin's Orchestra by Michael Sims, Henry Holt and Company, $30.00, 508 pages.





The News & Observer

June 22, 1997


Whimsical essays on science and nature


By Phillip Manning


In this hype-saturated age, nonfiction books often promise better sex or more money or something equally desirable to entice us to buy. Even science books -- normally a modest genre -- are caught up in this avalanche. It's no longer enough for a book to simply impart knowledge. Nowadays, it must be BIG knowledge, the kind that will save your life or at least allow you to impress your friends. Consequently, it's rare to run into a science book that promises nothing but the rarest commodity of all -- a good read.

"Darwin's Orchestra" is that. It's also quirky, nicely written, and full of gossipy tidbits. Where else can you find out that Vladimir Nabokov once proved "with diagrams, no less -- that the insect in Kafka's 'Metamorphosis' could not have possibly been a cockroach." Or that the tiny island of Nauru has "the highest income per capita of any nation in the Pacific." Or that source of its wealth is guano.

The book is composed of 366 short essays, one for every day of the year. Each essay commemorates an event that illustrates the role nature (or science) has played in history and the arts. But the author stretches the definition of "nature." Rousseau's cats are here, as is the story of the famously inaccurate rhinoceros sketched by Durer in 1515. P.T. Barnum's fake mermaid gets as much space as Martha, the last passenger pigeon; and the "Big Bang" theory rubs shoulders with the Piltdown Man hoax. Author Michael Sims justifies their inclusion by quoting from Humpty-Dumpty: "Whenever I make a word do a lot of extra work like that, I always pay it extra." The author clearly owes "nature" overtime wages.

Nevertheless, nature has played an important role in history and the arts. The essay for February 29 is an example. In 1503, Christopher Columbus beached his ships on Jamaica for repairs. The Spaniards depended on the natives for food, but after sponging off them for months, relations had soured. Without provisions, Columbus and his men could not leave, and the natives were growing more irate. Columbus consulted his astronomy book. He told the natives that the Lord was angry with them for not providing food, and that God would show his disapproval "on the face of the rising moon." On the following night, the natives stormed the Spaniards' ships, not with weapons but with food. Columbus and his men were saved -- thanks to a lunar eclipse.

Another essay shows how nature influenced literature. "I didn't like spiders at first," writes E.B White, "but then I began watching one of them and soon saw what a wonderful creature she was and what a skillful weaver." The result of White's study was "Charlotte's Web," a children's classic that is still a staple in bookstores nearly 50 years after its publication. According to the author, White's fascination with spiders lasted all his life. "When I get sick of what men do," White wrote, "I have only to walk a few steps in another direction to see what spiders do . . . This sustains me very well indeed."

Pablo Picasso's interest in nature began at the age of nine, when he began sketching doves. "Picasso kept doves at several of his villas," the author writes, "and the birds appeared in [his] works throughout his life." The essay for April 19 commemorates the 1949 opening of the World Peace Conference. The organizers selected one of Picasso's dove sketches for the poster advertising the conference. This image, the so-called "Dove of Peace," became so famous that it is a cliché', adorning everything from record-album covers to dorm-room walls. Picasso's fondness for doves didn't stop with his art; he named his daughter Paloma, the Spanish word for "dove."

The blending of nature, science, history, and the arts reaches its whimsical peak in the essay from which the book takes its title. Although Darwin is best known for his theory of evolution, he spent his last years studying earthworms. To see how these creatures reacted to music, Darwin assembled a family orchestra. "Son Francis played a bassoon, grandson Bernard blew a whistle, and wife Emma played the piano. The audience barely reacted, but Darwin's little orchestra is remembered as one of the more amusing experiments in the history of science."

Surprisingly, Darwin's work on earthworms turned out to be valuable, showing how worms build and maintain the topsoil that is critical to life. Or perhaps it's not surprising; as Vladimir Nabokov says in another essay, "There is no science without fancy, and no art without facts."
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